Big in Japan
Exploding with eye-popping originality and freshness, today¡¯s best Japanese graphics have been gathered together to make this must-have guide to contemporary aesthetics in Japan. With their unique perspective, the Japanese have a way of looking at the world that has long been a source of great interest for the Western mind. Here, Japan¡¯s most talented creative professionals strut their stuff in the form of posters, advertisements, print media, visual identity, and print design. Divided into chapters by media type, this highly visual guide presents a diverse selection of graphics and includes an index of designers, complete with website addresses and contact information. We¡¯ve also thrown a DVD into the package, on which you¡¯ll find a video tour of the coolest places to visit in Tokyo, interviews with art directors, filmmakers, and designers, and the latest and greatest television commercials from Japan.
Exploding with eye-popping originality and freshness, today¡¯s best Japanese graphics have been gathered together to make this must-have guide to contemporary aesthetics in Japan. With their unique perspective, the Japanese have a way of looking at the world that has long been a source of great interest for the Western mind. Here, Japan¡¯s most talented creative professionals strut their stuff in the form of posters, advertisements, print media, visual identity, and print design. Divided into chapters by media type, this highly visual guide presents a diverse selection of graphics and includes an index of designers, complete with website addresses and contact information. We¡¯ve also thrown a DVD into the package, on which you¡¯ll find a video tour of the coolest places to visit in Tokyo, interviews with art directors, filmmakers, and designers, and the latest and greatest television commercials from Japan.
The authors:
Julius Wiedemann was born and raised in Brazil. After studying graphic design and marketing, he left the country to live in Japan for almost 4 years, where he worked in Tokyo as art editor for digital and design magazines. He subsequently joined TASCHEN as the editor in charge of digital titles and is currently based at the company¡¯s headquarters in Cologne. In 2001, he edited the book Digital Beauties and since then has been building up TASCHEN¡¯s digital collection.
Gisela Kozak was born in Argentina, where she got her degree in industrial design. After completing graduate studies in packaging, she moved to Japan to pursue a PhD in packaging and has been there for more than four years. She has also worked on graphic and web design and has published several articles about Japanese packaging.
Julius Wiedemann was born and raised in Brazil. After studying graphic design and marketing, he left the country to live in Japan for almost 4 years, where he worked in Tokyo as art editor for digital and design magazines. He subsequently joined TASCHEN as the editor in charge of digital titles and is currently based at the company¡¯s headquarters in Cologne. In 2001, he edited the book Digital Beauties and since then has been building up TASCHEN¡¯s digital collection.
Gisela Kozak was born in Argentina, where she got her degree in industrial design. After completing graduate studies in packaging, she moved to Japan to pursue a PhD in packaging and has been there for more than four years. She has also worked on graphic and web design and has published several articles about Japanese packaging.
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