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회원가입 I 아이디/비밀번호찾기
관련분류 : 미술 / 건축
Symbolism
크게보기 l
ㆍ저 자 Gilles Neret
ㆍ역 자
ㆍ구 분 원서
ㆍ발행일 2006년 01월 01일
ㆍ정 가 23,000원
ㆍ페이지 256 페이지
ㆍISBN 978-3-8228-5032-9
ㆍ판형 240x300
ㆍ출판사 TASCHEN
중요한 모던 아트 운동

시인 장 모레아스는 1886년 상징주의 발표에서 "인식할 수 있는 형태의 사고를 입히다"라고 말했다. 자유로운 상징주의의 기둥인 벨기에와 프랑스에서 상징주의자 그림이 발생했다. 이는 보들레르와 말라르메와 같은 시인 그리고 와그너 오페라가 연 문화 공간에 역으로 움직였다. 이들은 외형을 표현하지 않고 생각을 표현하고자 하였으므로 상상은 이들 작품에 매우 중요했다. "꿈"은 신조였다.

또한 인상주의, 현실주의, 자연주의, 학술주의 등을 혐오했다. 상징주의의 중요 원칙인 "일치"는 모든 다른 미술 간에 조화를 이루거나 전체적인 미술 작업(총체예술, Gesamtkunstwerk))을 실현하는 것이었다. 그 시기가 지나고 오늘날 우리가 발견하고 있는 것은 바로 상징주의 그림은 러시아에서 미국으로 북유럽에서 중동으로 이동하는 야생과 같은 세계에서 널리 유포되기 때문이 아니라 모든 아트 없는 변형의 출처로서 중요하기 때문에 모던 아트의 이해에 필수적이라는 점이다.


 
The editor:
Gilles Neret was an art historian, journalist, writer, and museum correspondent. He organized several art retrospectives in Japan and founded the SEIBU museum and the Wildenstein Gallery in Tokyo. He directed art reviews such as L'Oeil and Connaissance des Arts and received the Elie Faure Prize in 1981 for his publications. Néret is the editor of TASCHEN'S catalogues raisonnes of the works of Monet and Velazquez, as well as the author of Dali The Paintings and Erotica Universalis. He died on August 3, 2005.

The author:
Michael Gibson is an independent scholar and philosopher (currently editor in chief of UNESCO's World Heritage Review) who has been writing on art over the past thirty years for numerous publications, including the International Herald-Tribune. He has published numerous books, including studies of Bruegel, Gauguin, Duchamp and Calder.
 
 
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